“Part memoir, part cautionary tale about the hazards of trying to publish an English-language daily newspaper in a foreign country, Stephen Bloom’s The Brazil Chronicles is both entertaining and instructive. With its cast of misfits––ranging from neurotic dreamers and ambitious novices to hard-drinking swashbucklers and smooth glad-handers––it reads at times like a real-life version of satirical novels about journalism like Evelyn Waugh’s Scoop or George Gissing’s New Grub Street. But it also zeroes in on the internal conflicts inherent to putting out any newspaper, such as tensions between the business and reporting sides, as well as others that are unique to working under a military dictatorship. I was in Rio de Janeiro at the same time as Bloom, and this book, an engaging combination of thorough research and personal anecdotes, is chock-full of uproarious stories that I had never heard until now. Who knew that Hunter S. Thompson did a stint in Brazil, perfecting the maniacal antics and style that later made him a literary star?”

—Larry Rohter, Brazil correspondent, Newsweek, 1977 to 1982, The New York Times, 1998 to 2008, author of Into the Amazon

“Reading The Brazil Chronicles is like sitting with a bunch of foreign correspondents in some seedy bar drinking questionable local booze as they boast, brag, bust balls and raise hell between deadlines. In his two years in Brazil, Stephen Bloom rode the rails of newspaper’s golden age, and witnessed the initial stages of print journalism’s calamitous demise. This book is a newspaperman’s account of a newspaperman’s life and dreams. Filled with egos, ruthless competition, exaggeration and envy—elements of the air inside any newsroom—The Brazil Chronicles is a first draft of what newspapers once were, and an evergreen profile of the men and women who got off on the clack of typewriters, the smell of ink and the crazy adrenaline of deadlines.”

—Anthony DePalma, former New York Times foreign correspondent; author of The Cubans, The Man Who Invented Fidel, and Here

"Steeped in facts and tropical heat, this memoir will make you young. A budding journalist in 1970s Brazil uncovers a world of expats and adventurers in a historically fraught time. Reading it made me want to have a caipirinha in Copacabana with this vivid storyteller.”

—Andrei Codrescu, NPR commentator, author of Too Late for Nightmares: New Poems

"In his fun and informative homage to life as an ex-pat on an English language newspaper in Rio, Stephen Bloom explores a world teeming with vitality that might otherwise have been lost to the dustbins of history. Unexpected treats abound. On its own the correspondence in the early sixties between staff writer Hunter S. Thompson and Phil Graham, publisher of the Washington Post, is worth the price of admission, but there is so much more to admire, to mull and to hail in this recreation of life in what the author calls a “rogue’s paradise” as a ragtag group of itinerant journalists live the dream of creating a global-minded newspaper in Latin America. They may have been doomed, but they are never dull. Must reading for anyone who loves newspapers, scoundrels, visionaries and a taut tale well told."

—Madeline Blaise, Pulitzer Prize winning journalist, author of To the New Owners

“In 1979 when 28-year-old Berkeley grad Stephen Bloom showed up in Sao Paulo, desperate for a newspaper job. Staying around for two years until the expat journalism party wound down, meeting a cast of unforgettable characters he likens to Ken Kesey's Merry Pranksters and gathering the yarns that he tells with such verve now in this combination history-memoir, Bloom then returned home to find the U.S. news business in the early stages of its own death spiral. The Brazil Chronicles is lively to the point of eliciting belly laughs.”

—Bradley K. Martin, author of Under the Loving Care of the Fatherly Leader: North Korea and the Kim Dynasty

“In this head-spinning 'celebration of what newspapers were and will never be again,' you'll meet a rowdy assemblage of social-justice crusaders, swindlers, bon vivants,  revolutionaries,  CIA operatives and itinerant journalists of all kinds, not to mention a world-famous bank robber, a future Hollywood star and a fledgling reporter named Hunter S. Thompson. And at the center of it all, banging away on his broken Olivetti typewriter in a dingy newsroom in Rio de Janeiro, is a marvelous storyteller named Stephen G. Bloom.”

—Miles Harvey, author of Registry of Lost Objects, King of Confidence, and The Island of Lost Maps

“Stephen G. Bloom gives us a young reporter's eyewitness account of Latin America's largest country at a tumultuous time, even as he revels in the work he loves, but as the mature observer he is today. Bloom also renders a deeply researched history of 'expat' newspapers serving an important U.S. ally, including their role in Cold War propaganda. A fine read.”

—Mary Jo McConahay, author of Playing God: American Catholic Bishops and the Far Right

“An entertaining and enlightening journey, this deeply reported narrative unfolds through the eyes of a relatable and passionate Bloom, the older and wiser narrator reflecting upon the choices of his younger self with humor, affection, and remarkable candidness. Embedded within this engaging true tale, Bloom tugs at universal themes: coming of age, identity, the pull of ambition, the power of instinct, and delightful explorations into human nature.”

—Erika Hayasaki, University of California, Irvine, author of Somewhere Sisters: A Story of Adoption, Identity, and the Meaning of Family

"Intriguing and evenhanded . . . . What emerges is a rich and thought-provoking portrait of an unrepentant crusader who 'may have failed to consider fully the myriad consequences of her actions.' This immersive account offers a fresh perspective on the enduring struggle against racism."

―Publishers Weekly on Blue Eyes, Brown Eyes

“A don't-miss read. It chronicles the rise and fall of a remarkable woman, both fierce and fearless, who built a highly professional and highly illegal abortion services empire in early 20th century California. But it also chronicles her eventual collision with rise of California itself and its ambitious and newly powerful politicians. The result is a richly detailed and intensely human story, conflicted and completely compelling.”

—Deborah Blum, Pulitzer Prize–winning author of The Poisoner's Handbook on The Audacity of Inez Burns

"A riveting read . . . Bloom’s adroit narrative brings this forgotten San Francisco story to light."

—Los Angeles Review of Books on The Audacity of Inez Burns

"Bloom . . . has poured his passion into Tears of Mermaids: The Secret Story of Pearls, a tell-all book about pearls and the network that delivers them to the world's well-dressed women. The more we learn, the more contagious his passion becomes. He introduces characters worthy of a screenplay . . . . A fascinating book."

—Minneapolis Star-Tribune on Tears of Mermaids

“A labor of love and obsession. Bloom was inspired by a necklace his mother would wear only on special occasions and wound up traveling 30,000 miles over four years in his quest.

—New York Post on Tears of Mermaids

“This powerful confessional book draws its strength from the truth that so-called ordinary people, not those with bold-faced names, are actually the heroes of our American drama.”

—Ken Burns, documentary filmmaker on The Oxford Project

“A fascinating piece of contemporary history, a treasure of social and cultural commentary. . . . This is the real thing, riveting and revelatory.”

—Philadelphia Inquirer on The Oxford Project

“What we have in this spellbinding and ambitious and eccentric volume is ‘Our Town’ and 'Spoon River Anthology' updated and revivified. We also have journalism, in words and in images, at its heart-stopping best and its most poignant . . . by the final page you feel as if you have both read a novel and seen a movie simultaneously.”

—Nieman Reports, Harvard University on The Oxford Project

“Riveting . . . . a thorough and penetrating job of reporting . . . . A gripping portrayal of a confounding collision.”

—New York Times on Postville

“An often funny, frequently dismaying and whole original take on what it means to be American.”

—Henry Kisor, MSNBC & Chicago Sun-Times on Postville

“Gripping and insightful . . . . Compelling and important.”

—Miami Herald on Postville